Music composer Akhil Sachdeva reveals that Emraan Hashmi personally approached him for ‘Awarapan 2’ and encouraged him to create something different. Sachdeva says Emraan wanted a fresh musical flavour, gave him creative freedom, and supported his instinct to use Punjabi words in ‘Piya Ghar Aaya – Homecoming’, despite initial criticism.
Music composer and singer Akhil Sachdeva has opened up about the creative journey behind his song ‘Piya Ghar Aaya – Homecoming’ from the recently released Emraan Hashmi-starrer ‘Awarapan 2’. According to Sachdeva, the opportunity came directly from Emraan Hashmi, who approached him with a clear request: he wanted something different from the composer’s usual musical style.
Speaking to IANS after the release of the film, Sachdeva revealed that Emraan personally called him for the song and encouraged him to experiment. The composer said the actor did not want another conventional romantic or heartbreak number. Instead, he wanted Sachdeva to explore a new musical direction while maintaining the emotional depth and legacy associated with the ‘Awarapan’ franchise.
“Emraan Hashmi himself called me for the song and he wanted me to make a very different song from what I have usually done,” Sachdeva said. He added that he was pleased the actor did not ask him to create a typical love or heartbreak song, giving him an opportunity to experiment with a different sound.
The composer, however, acknowledged the responsibility that came with creating music for a franchise that has developed a strong musical identity over the years. The original ‘Awarapan’ featured popular songs such as ‘Tera Mera Rishta’ and ‘Toh Phir Aao’, which continue to hold a special place among listeners.
Sachdeva said he understood that his song had to meet the expectations surrounding the ‘Awarapan’ name, but he chose to trust his instincts. He explained that Emraan also encouraged him to follow his gut feeling while writing and composing the song.
One of the most distinctive elements of ‘Piya Ghar Aaya – Homecoming’ is the use of Punjabi words in its lyrical structure. Sachdeva admitted that he was aware the decision could attract criticism, particularly because listeners had certain expectations from the musical world of ‘Awarapan’.
“I have used Punjabi words in this song, this wasn’t the case with ‘Awarapan’,” he said, explaining that the choice came naturally during the creative process. Rather than changing the song to avoid possible criticism, he decided to embrace the direction that felt authentic to him.
The composer also addressed the criticism he initially received after the song was released. Sachdeva said he had expected some negative reactions and was prepared to face criticism over the use of Punjabi words. He revealed that he even received abusive messages from some listeners who felt the lyrical approach did not fit the franchise.
However, the reaction reportedly changed for several people after they watched the film. Sachdeva said some viewers later contacted him through Instagram and apologised for their initial response.
“They DM me and they said sorry that we thought it was wrong, something wrong,” he said, adding that he considers this response part of the beauty of creating music from the heart.
For Sachdeva, the song represents an attempt to balance the legacy of ‘Awarapan’ with a fresh musical identity. While acknowledging the enduring popularity of the original film’s songs, he believes ‘Piya Ghar Aaya – Homecoming’ has established its own place among the new songs featured in ‘Awarapan 2’.
The composer described the song as being deeply connected to Emraan Hashmi’s character and expressed satisfaction with the final result. With the actor’s encouragement and creative freedom, Sachdeva chose an unconventional route, trusting his instincts despite the possibility of criticism.
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His experience with ‘Awarapan 2’ highlights the challenges of creating new music for a franchise with an established musical legacy. At the same time, Sachdeva’s comments underline his belief that experimentation and personal conviction can help a new song find its own identity.
